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21376) was identified and placed in the ensemble of fragments, the remains of a papyrus roll containing poems by Sappho and at least one other poet, copied by two different hands in the early part (first quarter or a little later) of the third century BC.

The fragmentary papyrus manuscript had been dismantled from painted mummy-cartonnage, viz.

Not all of these are likely or even able to be solved by the simple constitution of texts, reporting of witnesses, and compilation of suggestions.

What follows presents the textual basis for the discussions of the papers in this volume. XXI, it contains numerous fragments of what was once a professionally produced, critical edition of book 4 of Sappho’s poetry in one edition circulating in the Roman period, as can be seen from the colophon (in fr.

As an appendix, the text as originally restored and translated by M. West is reproduced Oxyrhynchus Papyrus 1787 was recovered from the ancient land-fill dump on the outskirts of the provincial capital city of Oxyrhynchus in central Egypt by B. The handwriting enables us to date the copying of the manuscript to the later second century AD. 2 of this papyrus preserves the line-ends of the verses that came to be known as Sappho fr.

58, together with the line-beginnings of the meager fr. in 2004; subsequently, in the same year, an additional fragment (inv.

Most of Sappho's poetry is now lost, and what is extant has survived only in fragmentary form, except for one complete poem – the "Ode to Aphrodite".

As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry.

For convenience of reference here, I have numbered each of these sections independently; it should be noted, of course, that the verses of the “Tithonus Poem” continue on after the “New Fragment” and the “Success Poem,” in Cologne and Oxford respectively: i.e.It therefore seemed useful, in the critical edition offered below, to represent graphically these lectional signs as they occur in one or both manuscripts at the left edge of the columns of writing.The sign ⊗, by contrast, placed in the right margin at line-end, denotes (as conventionally in modern editions since Voigt) that, in the judgment of the modern editor, a division between poems occurred (or should be posited) at this point, regardless of the corresponding presence, or preservation, of the final graphic (The economy of the evidence suggests that, as in West’s reconstruction, the verses transmitted in common by both manuscripts (i.e.Three epigrams attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style. She was from a wealthy family from Lesbos, though the names of both of her parents are uncertain.Ancient sources say that she had three brothers; the names of two of them are mentioned in the Brothers Poem discovered in 2014.It is all the more notable, in that it accompanies the transition to a poem that neither Sappho nor any Lesbian poet from antiquity could have written.